Terry O'Quinn, Actor: Lost. Terry O'Quinn was born on July 15, 1952 in Sault Ste. Marie, Michigan, USA as Terrance Quinn. He is an actor, known for Lost (2004. Locke & Key is an American comic book series written by Joe Hill, illustrated by Gabriel Rodríguez and published by IDW Publishing. It's as if some mythical cinema professor has assigned a test to the most ambitious filmmakers: produce a movie with only one on-screen character. Holiday Movie Preview: 2. New Films to See This Season. This year’s holiday season is full to bursting with new movies, from the expected awards contenders to a number of festival favorites and some true- blue feel- good offerings to round out the pack, and we’re pleased to offer up 2. Whether you’re looking to beef up on your Oscar contenders, take the whole family to see something they all can enjoy or you just want to lose yourself in the magic of the movies, the rest of 2. Take our advice, there’s no better place to spend the season than at the movie theater, so start here.“Allied” (November 2. Allied”Paramount. Robert Zemeckis has had an interesting relationship with on- screen history. With a supporting cast including Jared Harris, Lizzy Caplan and Simon Mc. Burney, it looks like Zemeckis might have made a period piece that doesn’t just rest on 1. Immersed in its North Africa, all against a Steven Knight (writer/director of “Locke”) script? Intriguing intrigue. But there’s no director’s jail in the world that can hold Hollywood royalty of his caliber, and now — 1. Beatty is back with a kooky movie that will remind you why you’ve missed him. A light little love story that’s wrapped around a Howard Hughes biopic (Beatty’s prolonged absence only strengthens his performance as the reclusive tycoon), “Rules Don’t Apply” focuses most of its attention on the starry- eyed crush that develops between the billionaire’s newest driver (Alden Ehrenreich) and one of the wannabe starlets living on his dime (Lily Collins). It may not pack the pathos of “Reds” — or even “Bulworth,” for that matter — but Beatty’s potential swan song is a fun and frothy throwback to a time when the stars shined so bright that you could see them in anything. Ten- year- old Nicolas (Max Brebant) spends his days in an isolated seaside hospital, along with several other children, all of whom are subjected to an alarming medical process. His mother, and the other women who tend to the boys, obscure the reasons behind the confined setting. When Nicolas spies on them after dark, he gets no closer to answers. But the puzzle pieces gradually congeal into a strangely consistent world of transgressive sexuality, body horror and laboratory birth. Nicolas doesn’t piece it all together, but as he develops his individuality, he takes action against the ominous events around him. It’s the year’s wildest coming of age story. The pair play best friends — and fellow actresses — who attempt to reconnect by taking a girls’ weekend to the leafy environs of Big Sur. While the intentions are (seemingly) pure enough, the film happily and ambitiously zings into wild territory right off the bat. Takal’s film uses the girls’ professional animosity as a jumping off point to address their very tangled relationship, effectively shining a big ol’ light on Hollywood’s demands of its female stars while also cutting to the bone of their own friendship. At turns scary, illuminating and disarmingly well- measured, it’s the kind of thriller that packs plenty of scares while also providing the sort of cultural commentary that leaves you shaken long after the credits roll. In director John Madden’s political thriller “Miss Sloane,” Chastain plays a fast- talking D. C. But her mission hits a wall when she’s hired for a gig that requires more of a sacrifice than even she’s willing to make. At a moment of extreme instability in Washington politics, “Miss Sloane” is poised to stand out in the national conversation. Twenty years later, having been raised by his adopted Australian parents (Nicole Kidman and David Wenham), he uses Google Earth to find his birth village and mother. It’s one of those based- on a real life stories too good to be true, where you know the ending beforehand and you assume you know what the cheesy American movie version of it will be like. And that’s where this film surprises you. Director Garth Davis’ first feature (he directed four episodes of “Top of the Lake”) is subtle, going out of its way to not pull on our heartstrings, while focusing on the emotionally messy. The director gets a huge hand grounding his film with a soulful performance from Rooney Mara (Saroo’s college girlfriend), stunning natural light photography by DP Greig Fraser, and a beautiful, yet appropriately restrained score by Volker Bertelmann and Dustin O’Halloran. The French director’s fifth feature about a philosophy professor (Isabelle Huppert) finding herself having to recalibrate after her husband of 2. As Indie. Wire’s David Ehrlich so aptly observed though, similar to Hansen- L. Locke Full Movie 2016 NewStructured around Jacqueline Kennedy’s interview with LIFE magazine reporter Theodore H. White in the week after her husband’s assassination, “Jackie” reveals itself as a daring stream of consciousness, unleashing our subject’s memories to prove just how essential she was in creating and cementing President Kennedy’s legacy in the history books. Suffice it to say, he’s not throwing away his shot. With “La La Land,” Chazelle finally gets to bring his Technicolor dreams to life, delivering a swoon- worthy meditation on modern romance that also happens to be the most full- throated and uncompromising movie musical since Lars von Trier’s “Dancer in the Dark.” Telling the kind of love story that could only happen in Tinseltown, Chazelle taps into the proven chemistry between Ryan Gosling and Emma Stone for an all- singing, all- dancing, all- sobering affair that brings the mellifluously melancholy spirit of Jacques Demy into the digital age. But don’t overlook “Neruda,” his biopic of a slightly different sort that follows the iconic poet on the run from the Chilean government. The film reunites Larrain and “No” star Gael Garcia Bernal, here playing the officer charged with tracking Neruda down. A cat- and- mouse thriller with a literary twist, it’s another feather in the cap of one of the world’s most exciting filmmakers, who’s made quite a career offering specific reflections on 2. When Jim (Pratt) and Aurora (Lawrence) both wake up from their hibernation pods 9. Directed by Norwegian filmmaker Morten Tyldum (“The Imitation Game”), the film also stars Michael Sheen, Laurence Fishburne and Aurora Perrineau (“Equals”). JK Simmons, John Goodman, Kevin Bacon and Melissa Benoist also headline a strong ensemble cast that covers the aftermath from multiple angles. The depictions of the bombing and the subsequent standoffs between police and the perpetrators are unflinching, but Berg also manages to craft a rousing tribute to the policemen, investigators and everyday citizens who helped bring the city back to a point of healing. It’s a similar combination that led “American Sniper” to widespread attention a few years ago, so expect this to find a similar national audience. Locke Full Movie 2016 YoutubeThis new feature, Spain’s official Oscar entry, may feel at times like the director is playing it safe (there’s nothing too unorthodox or out- of- the- box about this story of a woman reminiscing on her fraught relationship with her daughter), but it proves that after 3. Almod. Each shot is crafted straight from passion, and the performances he draws from Emma Su. It may not be his best, but “Julieta” confirms Almod. Johns plays an out- of- work widower who befriends a struggling single mother, both of which are trying and failing to make a living in Britain’s welfare system. In the hands of these two actors, “I, Daniel Blake” won’t leave a dry eye in the theater. Adapted from Sh. To say that they’re met with resistance would be a massive understatement: Masahiro Shinoda’s masterful 1. We can’t yet say why Scorsese is so compelled to adapt a novel that has already been brought to the screen so brilliantly, but the director has described the project as “an obsession,” so we have faith that he has his reasons. Washington starred in the recent revival of the lauded play, and he’s joined by his Tony- winning scene partner Viola Davis, who is gunning for a Best Supporting Actress nod with her cinematic turn as Troy’s beleaguered and betrayed wife Rose. The film follows the Maxsons during a turning point in their lives, as Troy’s pain over his unsatisfying life bleeds over — and hurts — everyone around him. Find all of the horror movie trailers for 2016 to watch now! This year’s holiday season is full to bursting with new movies, from the expected awards contenders to a number of festival favorites and some true-blue feel-good. Ivan Locke (Hardy) has worked diligently to craft the life he has envisioned, dedicating himself to the job that he loves and the family he adores. On the eve of the. Washington and Davis were both lauded for their stage work, and the film version of the story similarly affords them plenty of room to bust out some all- timers of acting fireworks. Starring Taraji P. Henson, Octavia Spencer and rising star Janelle Monae as a trio of NASA scientists who tore down barriers while doing incredible work, the film is all but built to make people stand up and cheer (and, yes, probably cry, too). ![]() ![]() Bolstered by stellar supporting turns from Kevin Costner, Mahershala Ali and Glen Powell, few of this year’s late- season awards contenders are so damn inspiring. More like this one, please. The plot should not be spoiled, though it does concern the relationship between a prank- loving father and his corporate- climbing daughter. The script awakens their bond, but only after a push- and- pull dynamic sends them both on a collision course with their own identities. In the excellent Peter Simonischek and Sandra H. It’s the fastest two- and- a- half- hour dramatic comedy you’ll ever see. Bening gives the kind of fully- charged performance that awards were made for, while Gerwig and Fanning prove just how well- rounded every supporting performance should aspire to be. Their women are messy, funny and tragic, and they make this experience one of the most relatable movies of 2. Like “Gone Baby Gone,” this too will have an Affleck on front of the camera, this time with Ben pulling triple duty as writer, director and star. The ’2. 0s- era backdrop and Boston organized crime setting sure feels like Affleck pulling out all the stops before being pressed into service on his forthcoming standalone Batman movie. With a capable cast and top- tier DP Robert Richardson to help set the mood, here’s hoping this is more “Untouchables” than “Gangster Squad.” - SG“Paterson” (December 2.
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